A real delight about visiting family in Portugal is the ability to regularly spend time at a favourite beach bar, sipping coffee, people watching and drawing what I see. This time it was the human forms of the bathing beauties that caught my eye and to my surprise I gained a new found confidence in life drawing. In three short days I saw my sketches improve, here’s how I did it...

Taking a sketchbook for a walk outside is a marvellous way to record details of the world around you.  Feeling the forms of a view through your fingertips, as the pencil moves across a page, gives a richer understanding of what you see.  As a practicing fine artist this is why I’ve always got a couple of Moleskine’s on the go.

In my experience a good fine art collection is generally created out of sheer determination and hours of playing with paint. But in order to get to that bit something has to happen first. A vital spark. The trigger that sets the wheels of inspiration in motion. Finding that spark is something I love, especially when it comes from a single sketchbook drawing.

Just to be clear, lilac is not my favourite colour. In fact it’s way down my list of not favourite colours. However, being a fine artist who loves colour, I enjoy collecting them. Taking photos that catch my eye is like creating a mobile Pantone colour chart on my phone. Lilac accents keep popping and I’m not entirely sure why?

Ever since I was little road trips have been a time for drawing and colouring in. In recent years I’ve taken this literally and used car passenger time for filling my Moleskine sketchbooks with views of the motorway. As a mixed media landscape artist it provides an opportunity to practice eye feasting and quick response drawing as views zoom by.